Saturday, January 24, 2015

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  • Sales Rank: #5237064 in Books
  • Binding: Paperback

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Tuesday, January 20, 2015

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Financial Accounting: An Introduction to Concepts, Methods, and Uses, by Clyde P. Stickney, Roman L. Weil

This widely respected financial accounting text captures the predominant market share among graduate, MBA, and better undergraduate programs. It focuses on presenting, with great clarity, both the basic concepts underlying financial statements and the terminology and methods that allow students to interpret, analyze, and evaluate actual corporate financial statements.

  • Sales Rank: #280924 in Books
  • Published on: 2002-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 8.00" w x 1.50" l,
  • Binding: Hardcover
  • 12 pages

About the Author
Clyde P. Stickney is the Signal Companies' Professor of Management, Emeritus at the Amos Tuck School of Business Administration, Dartmouth College. He received his DBA from Florida State University and taught at the University of Chicago and the University of North Carolina at Chapel Hill before joining the Tuck School in 1977. He has also taught at business schools in Japan, Australia, Finland, and Germany. Prof. Stickney has authored and coauthored books on financial accounting, managerial accounting, and financial statement analysis.

Roman L. Weil, Ph.D., CPA, is the V. Duane Rath Professor Emeritus of Accounting at the University of Chicago and has within recent years been Visiting Professor at the Haas School of the University of California, Berkeley; Carnegie Mellon University; Harvard Law School; Princeton University; and New York University. He has designed and implemented continuing education programs for partners at two of the large accounting firms and for employees at several operating corporations. Dr. Weil has co-authored dozens of books. His lay articles have appeared in Barron's and The Wall Street Journal. He has published more than 80 articles in academic and professional journals, most recently on financial literacy for corporate governance and on the exposure of wine snobbery.

Most helpful customer reviews

45 of 46 people found the following review helpful.
Just awful
By Dean B. Shaffer
One of the least useful textbooks I've ever read; I learned next to nothing from it. It's very poorly written, in very confusing style. Samples are placed several pages away from where they are referred to. As another reviewer stated, the authors don't explain much of anything -- it's like watching an expert accountant quickly burn through his work, then ask you if you understood everything you saw him do. The problems aren't very enlightening, either: instead of focusing on building up the basics, they seem to prefer to focus on special cases, so you're thoroughly confused about what to do in the normal case.

Yes, there are good reviews, but notice that two are commenting only on shipping speed, and the other was from a guy trying to sell his copy. I won't inflict my copy on anyone else, because I'd rather destroy it.

29 of 30 people found the following review helpful.
Overly complex
By A Customer
This was the first accounting book I've ever read when I took my very first accounting class at my graduate business school. For those who are new to accounting, this is not at all a good introduction. The authors simply inundate the reader with a plethora of information which is way too wordy and unnecessary at the beginning level. The authors seem more concerned about leaving nothing out in their writing as opposed to teaching the readers about the basics of the balance sheet, income statement, cash flows, inventory valuations, etc. It almost gets to the point in which I suspect the authors are simply showing off what they know as opposed to genuinely understanding that a reader like me has no previous accounting background. The chapter contents are not too logically organized and the explanation of concepts are excessive and unnecessarily complex. The authors seems to forget that when it comes to teaching accounting to someone who has never took accounting before, they should keep the concepts as basic as possible before going onto more in-detail discussions. The authors does the exact opposite and explains the accounting concepts from the intermediate point of view first, leaving the reader to come up with his own interpretation of what the basics should be. This is a complete waste of time for the reader, for all students would prefer that the authors get right to the point, directly and clearly, about how to construct a balance sheet, income statement, etc. The good thing about this book are the highlighted study problems presented in each chapter. The questions are useful and stimulate good application thinking, and the answers provided are an adequate explanation of how the questions should be answered. Unfortunately, the authors don't include enough of these study problems. If they had expanded upon these study problems and made them more comprehensive to the relevant chapter material, this book would have been a much more stronger teaching tool. Instead, we have an unnecessarily complex and not too organized textbook which is not really adequate for the beginning accounting student. Most of my fellow classmates did not enjoy reading this book and felt that it is an unsatisfactory way to be introduced to the world of accounting.

21 of 21 people found the following review helpful.
Great for graduate study
By A Customer
Many people get this book wrong. This is a book for graduate students, not for undergraduates. It introduces the concepts of financial accounting in a condensed way, which does require more time and patient to understand it, like the way we study in MBA program. Since this book assumes its reader as future statement readers, it introduces finanical statements, including balance sheet, income statement, and cash flow statement,in the first few chapters to let student understand the linkage among them. It is usually very difficult to understand for those without background, though. Plus, given the fact that this book is required by most of top MBA programs, like Chicago, Columbia, and NYU, I'd like to say that accounting professors have told us the quality of this book. For those who have a hard time on this, I would also recommend its accompanied study guide and solution manuals (used one available on amazon website ISBN 0030269695& ASIN: 0030182697; make sure get the right edition!!). After all, this is a good book, but requires more practices. Good luck.

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Wednesday, January 7, 2015

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  • Original language: French
  • Dimensions: 8.46" h x .83" w x 9.84" l,
  • Binding: Paperback

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Tuesday, January 6, 2015

[B816.Ebook] Free Ebook Glencoe Physics: Principles and Problems (Glencoe Science Professional), by Paul W Zitzewitz

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Glencoe Physics: Principles and Problems (Glencoe Science Professional), by Paul W Zitzewitz

Near Fine; see scans and description. Columbus, OH: Glencoe / McGraw-Hill, 2002. Glencoe Physics: Principles and Problems (Glencoe Science Professional), by Paul W. Zitzewitz. Quarto, glossy illustrated boards, 909 pp. (xvi + 893). Near Fine; thin scratch at cover (difficult to see in scan), and corners are micro-touched. Contents are immaculate. Firm, bright, tight, clean. LT27

  • Sales Rank: #598683 in Books
  • Published on: 2002
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.36" h x 1.43" w x 8.22" l, 4.08 pounds
  • Binding: Hardcover
  • 894 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
but other than that the book is in decent condition and was pretty cheap.
By vetta
there was black marker scribblings on the periodic table of elements, but other than that the book is in decent condition and was pretty cheap.

0 of 0 people found the following review helpful.
Five Stars
By Mark
It is a Physics book in good shape and will do the job this school year.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
It is exactly what was needed.

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Monday, January 5, 2015

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Reality 101: A 'Must Have' Guide to Life & Life Skills Survival Manual, by Kim Gayner

In Reality 101, Kim Gayner (aka: Kim Gaynor) not only covers the basics of going out into the world as a young adult, such as housing, finances, laundry, job searching, and birth control, but she covers the not so much discussed topics such as attitude, communication, compassion, death and grieving, to chocolate. Areas that aren’t openly talked about but many have thought or experienced are covered in this A to Z guide on reality living. I found that after reading this manual on life skills that it would have been very beneficial to have as a resource when I was younger, but that it also provided me with valuable and useful information in my life currently. I encourage not only every parent, teenager, and young adult to have this life skills manual available as a reference but that any person of any age will find it full of indispensable information that can enhance the quality of your life and “True Self”. Excerpt from Forward by Dana McKnight Flentroy, M.S.W., Educational Consultant. Note: eBook & PDF available at: www.KimGayner.com

  • Sales Rank: #4723182 in Books
  • Published on: 2013-12-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.29 pounds
  • Binding: Paperback
  • 440 pages

About the Author
As a youth advocate Kim Gayner (aka: Kim Gaynor) has mentored, taught, and life coached career development, finances, health, life skills, nutrition, parenting, relationships, as well as the numerous other topics contained in this book. She has been a foster parent, as well as sheltered homeless youth. She offers support, advocates for, and nurtures; children, youth, and young adults as well as seniors, the ill, disabled, and the dying. She enjoys continuing her life’s passion to help others and be in service, in her community and around the globe. Kim loves life, and more than just loves—enjoys her teenage son Tyler, his compassion, great sense of humor coupled with razor-sharp wit, and their cohesive world – be it Lake Tahoe, CA or Maui, HI.

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Saturday, January 3, 2015

[N304.Ebook] Free PDF Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow

Free PDF Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow

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Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow

Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow



Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow

Free PDF Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow

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Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow

This essential companion book to the bestselling Classic Human Anatomy�provides artists and art students with a deeper understanding of human anatomy and different types of motion, inspiring more realistic and energetic figurative art.
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Fine-art instruction books do not usually focus on anatomy as it relates to movement, despite its great artistic significance. Written by a long-time expert on drawing and painting human anatomy,�Classic Human Anatomy in Motion�offers artists everything they need to realistically draw the human figure as it is affected by movement. Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components.

This comprehensive manual features 5 distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement. Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.

  • Sales Rank: #77345 in Books
  • Published on: 2015-08-04
  • Released on: 2015-08-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.28" h x .99" w x 9.26" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

About the Author
VALERIE L. WINSLOW has been painting and drawing the human figure for more than three decades and is an expert in the field of figurative art. She is the author ofClassic Human Anatomy�and has taught at the Art Center College of Design in Pasadena, the California Institute of the Arts, and Pixar Animation Studios. She is currently a full-time faculty member and the anatomy coordinator at San Francisco's Academy of Art University. Many of her works are in private collections, and she has won numerous museum awards.

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4 of 4 people found the following review helpful.
A bridge between theory and practice
By Dom Nguyen
This is an excellent companion to the author's previous book, 'Classic Human Anatomy'. While the previous book focuses on detailed anatomy information, this book has more on applying anatomy in drawing the figure. I really like the chapters on landmarks, planes/structure, and movements with lots of nuggets of information that enable you to depict the human figure convincingly. The chapter on gesture drawing explains 8 different gesture drawing styles which will be particularly helpful for beginning and experienced artists alike.

There's some overlapped anatomy contents between the 2 books, but 'Classic Human Anatomy in Motion' gives you better overview of joints, bones, and muscles besides further information on movements. For example, there is an in-depth discussion on face muscles in various facial expressions. Plus extra drawings and diagrams provide different views (front, side, 3/4) of anatomical parts in motion.

The book is well designed with beautiful and colorful drawings on quality paper.

In short, 'Classic Human Anatomy' is anatomy-in-theory. 'Classic Human Anatomy in Motion' is anatomy-in-practice. Applying anatomy in drawing the human figure requires patience and effort in building knowledge and getting better with proper practice. The author has done a great job with both books.

2 of 2 people found the following review helpful.
Penguin Random House Book Review: Classic Human Anatomy in Motion
By Susan Marie
Valerie L. Winslow, fine award winning artist, Pixar Studios animation educator, as well as over thirty years teaching figurative art and artistic anatomy, published a profound 304 page hardcover illustrated volume, Classic Human Anatomy in Motion: The Artists Guide to the Dynamics of Figure Drawing.

This volume speaks to the creative and medical aspects of human anatomy. The book is sectioned, allowing the reader to digest the authentic mechanics of the human body. In each section and nearly all pages, there are distinct illustrations of the body part, ranging from bones to ligaments to muscle to tendons to skin to facial structures. Such elements are crucial to understand when creating a piece of art intended to be realistic and anatomically correct.

Browsing through the pages, the reader is able to stop wherever they please, not following a designed study pattern, more so, a creative one. One can start at the beginning or open any page and begin. This is only one important aspect of this book when speaking of creativity.

The chapters are easy to read, not scientific or medical in nature, and a student of anatomy as well as art will find this volume most useful. Valerie's understanding of the human body and all structures and movements involved is quite astounding.

The chapters are as follows:

Bones and Surface Landmarks
Joints and Joint Movement
Muscle and Tendon Characteristics
Facial Muscles and Expressions
Muscles of the Neck and Torso
Muscles of the Arm and Hand
Muscles of the Leg and Foot
Body Types, Soft Tissue Characteristics
Planes of the Body
Gesture and Action Drawing
Movement and Stationary Figures
Rhythmic Movement

Within each chapter, are sub-chapters that delve into each segment. For example, if one wishes to draw a perfect anatomical skull, it is here. If one wishes to draw the naked figure, any body type, it is here. If one wishes to all create all facial structures, it is here and if one wishes to be able to create motion and realistic muscles beneath skin that is also in this artistically designed book from front to back covers.

As an artist and a student of medicine, this volume bewilders me. It is not only a book every artists needs to own, but a book ripe with extensive medical knowledge of the entire human body and all it encompasses. The illustrations range from a simple charcoal sketch of a woman standing to an extensive anatomical medical model of the same figure.

To test the practicality of this book, I began sketching with pencil and simply opened to a chapter on muscles. In less than 10 minutes, I already drew the upper body of a male figure outlined, half of it sketched, muscles showing, with basic curves of the body outlined in accurate depth and volume.

I have never done that in my life.

Included is what I created from reading only one page of this book.

This is an artist’s dream. I cannot imagine being without this volume.

I am thankful to have received this book from Blogging for Books for this review.

6 of 8 people found the following review helpful.
Excellent information for human figure artists
By Debbie
"Classic Human Anatomy in Motion" is an anatomy book for artists who draw, paint, or sculpt human nudes. Much of the information can be applied to clothed figures, too, which is how I intend to use it. I appreciated that the nude figures were treated respectfully (rather than shown in sexually suggestive poses) and really were anatomically accurate.

This book contained many high-quality illustrations. Many of the illustrations showed the bones and muscles of the human body as you'd find them in an anatomy book. The author also pointed out which features can be seen on the surface and to look for them as reference points when drawing. She described the motions that each joint can do and how muscles work, so you can more realistically render the human body when it's in motion. To quote the book description, "each chapter builds an artistic understanding of how motion transforms the human figure."

Rather than having the reader repeat her drawings as exercises, the author described how to draw the figure you are interested in (from models, everyday life, pictures, or video). She suggested warm-up exercises and ways to suggest an active (rather than passive) figure. She gave some advice about working from your imagination, but she generally assumed that you'll have some reference to draw from as you work.

I'm familiar with human anatomy from my college days. I was impressed with the quality of this work, and it was a good refresher course for me. It has helped me understand how to apply that knowledge to my art. Overall, I'd recommend this book to artists who want to improve their depictions of human figures.

I received this as an ebook review copy from the publisher through NetGalley.

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